I really had to include the newly celebrated question of the half-year: “Why so serious?” I had to because I wanted to make it clear that this entry concerns themes surrounding and at the heart of the latest potential record-setting movie smash The Dark Knight. I also added this in relation to my first statement because this is the question of the half-year or perhaps the year that has gone by: the world has gone serious, too serious, me, you and all of it gone serious and this has done little to better our situation. So, why so serious? Yet, why not be serious? To be or not to be? Not exactly. The question begs an examination of the reality we live in as much the movie that borrowed it. I have not written about a topic that so much excited me and yet so much demanded me to be so delicate with thoughts and words as this one outside my lesson plans. And as much as I don’t like ripping off another line from the movie: “Here we go.”
The Dark Knight is awesome. It allows cool and popular dwell in the neighborhood of magnificence. Take it as it is, it is a summer movie, a popcorn movie or so we all thought. Then add the death of Ledger and the darkness of Christopher Nolan’s vision and everything becomes artistic, so visual, so in taste or out of common taste already. That’s how things are in the world. Add a dash of intrigue and the mundane becomes worthwhile at least. But in this case, and for the benefit of my analysis, I would not have it any other way. This movie is the bomb and yes I put justice by using this word. It is not the best one in ages and won’t be so unique in the end, but it will set an unbelievable benchmark for several genres at the same time. Here’s my surface-level take for those expecting me blogging about a movie review:
Story/plot — Excellent. 4.5/5 stars. That you will sit there and be bombarded by so many twists and turns and not notice that 2 hours and a half have passed is a statement already for a supposedly shallow-level superhero flick. Now I tell you, this is no shallow-movie, not a superhero movie and certainly not a flick. It is a masterful stroke for good or for bad however you see it. There are those small instances when I asked myself ”Why doesn’t he just end this madness now and instead, go through the motions?” Instead of disappointment, I get another plot twist that all convene in the end and I am left more than satisfied. Pacing is alright. The lines are sensible, rational (at times too much thought already) and even humorous or comical. Yes, dark and morbid humor can be entertaining, but partly because I love those things. Sorry. Lastly, I will decapitate via argument anyone who does not get this movie or its story and by deduction say that it does not live up to its hype. Please. =)
Acting — Superb. 4.5/5 stars. Heath Ledger as Joker should decide Oscar attention. But so do the other actors. Some are so in the background doing their thing well that they’re so good at it. Rachel Dawes was played better. Then Michael Caine and Morgan Freeman are great as the voice of reason and morality (though at times ambiguous) in the chaotic world of Gotham City and in the troubled life of Bruce Wayne. The lines that divide Batman’s two lives are becoming blurry in this one. Christian Bale convinces us that Bruce Wayne’s troubles are not far from Batman. In fact, they are one and both him and the bat in the night share a manifest destiny— a shared destiny that the Joker exploits. Aaron Eckhart as Harvey Dent the power-player is believable, as an idealist is passable and as two-face really moving. He is really unsung in this movie but since many have said he is unsung here, I say he is celebrated already. Gary Oldman as the up and coming anchor of the mob-blowing police force is just as good. He is convincingly lost in the chaos of things and the anarchy building but he actually has a trick or two out of his sleeve mainly because of his convictions as a character. And then, there’s Joker — the voice of anarchy and the crusader of seemingly random destruction (it’s too random that you would think it was all “part of a plan”). You will not think Ledger is dead in this one. He’s so alive and so haunting.
Directing — Need I say more? 4.5/5 stars. The vision behind this movie is in the man behind the camera who happened to co-write the script with his brother. I never imagined a crime-drama out of Batman. It’s as if the X-Men were in a country-western movie. He has outdone his other movies and he has outdone some of the best in the industry. He proves that with an $ 185 million budget, the last thing you can do is blow your movie up with prosthetics and pretense. He does not need that budget. It’s so real he could have simply asked for volunteers in Chicago to give their cars (as gas goes up anyway) for blowing up in smokes and glory. He just needs the evening skyline and the lack of light to visually haunt us. He is in control and is above his cast and team. I wonder how he will finish off this supposed trilogy. I can’t wait.
Aesthetics (visuals and sounds) — Uberly real, it hurts. 4.5/5 stars. The Gladiator sound team gives us a meet-up between 300 and Gladiator in a present-day dark setting. There are eerie guitar sounds, the percussion beats and ofcourse, the heart-pumping and tear-driving orchestration of the Batman theme. They add moments of silence when say Batman is gliding from a building but it’s okay as the wind and the propulsion can be heard. Visually, and since I am no artist-interpreter, I’d say it was a very real take on a city in jeopardy and a world drowning in corruption. It has to be dark and it has to be real. That they pulled this off with almost no CGI is astounding. It is how movies should be done even in the present age.
And now, my real concern THE THEMES. I am the kind of person who comes into a cinema house or listens to a CD with as less bias as possible, save for my Judaeo-Christian worldview. But even the latter does not get in the way of me trying to dig some, not all, material. This movie is one of those “material”. I think we should not be offended or be turned-off by the themes and the presentation because they offer us a complex and yet simplistic painting of how the world is. It is a clash of ideas, of codes and of lives. And this is not simply on the scale of good against bad, this is in the scale of good going bad and the world of bad people who try to make bad things good. The former is Dent who becomes the tragic Two-Face later and the latter is no less than the Joker (forgive the spoiler). Trapped between the world of twisted men and men who become twisted are us. We are at the mercy of forces of men. Furthemore, as a Christian, I am led to think that we are at the mercy of things beyond our control. Characters in the movie present a way to deal with the uncertainty of the times, but none will give you the desired answer. The Joker is the man with no plan. He schemes for the minute later, not the years ahead. It’s so random that again, it seems everything falls into place. What impressed me about this psycopath is not that he is unique and a class apart in terms of how he does things, it’s in why he does it. “It’s not about the money. It’s about sending a message.” Impressive. The real answer to uncertainty is not the Joker’s randomness and lack of convictions, it’s the superlatives and the absolutes we cling on to. It’s about being a class apart in living and living because we want to send a message. The idea of leaving a legacy is so differently presented in the movie that one can easily miss it. We leave a legacy. We send a message. We set a standard. Sadly, it’s the Joker who does these and in an unforgiveable evil way. He reaps his rewards but ultimately, crime does pay. One way or the other, the forces beyond us hold sway.
There’s Harvey Dent’s complexity. He is as closest we can get to an elected public servant. He is aggressive, he has a vision and he is willing to be the bullet to a gun in the face of corruption. So he succeeds initially and with some help. But what happens to good men when small bad ants bite them slowly? What happens when that itch comes along? What happens when compromises are gleaming bright? They collapse. They are left in outrage and the contradiction to what they are. Good men who lack the absolute faith, and rightfully the Christian faith in my worldview are easily pulled down. Need I present cases? I need not. So they built their great house on shallow bedrock and see how things happen. Without a firm human foundation in things of eternity, one is easily tormented and one is easily proven wrong. Harvey Dent becomes the tragic character here, more than the Joker, because of his collapse, because of his undoing, because when his house of sterling is tarnished or uprooted from the core he is left in the shadow of evil. He was the best of them, the closest to being the hero. It pains me to spoil out that he becomes the worst of the good men, nullifying his rightful right to be called one. The world needs saints more than heroes after all.
There’s the Batman’s complexity. He does not want to be a hero because he believes blood is in his hands. He does not take that right because he believes he has crossed the line. If the Joker represents chaos, the Batman is an agent of control. It’s liberal thinking gone array against authoritative establishments gone paranoid. Yes, he goes paranoid. Ergo to him, he is not the hero and so he deserves to be chased by cops and sooner pay for his crimes. He is not the hero but he is the protector Gotham badly needs. He is the protector who is also a masked vigilante (I will make no apologies for that) and a projected playboy during daytime. It’s alright with Alfred. It’s alright with Lucius Fox. It’s what Gotham needs according to them — an imperfect vanguard. I love the character of Batman for he, of all them “super”heroes are representative of human struggles I feel and breathe. But I always end up in trouble and second-guessing when I think he settles for this, when he settles for being a protector and denies his throne. It’s a form of sacrifice to him, to lead double lives and put all on the line in both lives. Perhaps in this world, Batman would have to do. Sadly, this is reality. For though Bruce Wayne has made big forms of sacrifice, he is but human in sin and shame. He falls short of being hero so he becomes acclaimed protector. I like it that he faces his charges but I don’t like it that he is not what I want him to be. But you know what? I can be fine with that. Sometimes, the world scorns you for the things you do but in the end, you will be measured by choices you make and their degree of difficulty. In the end, Batman does set the standard and he is better than a lot of them not just because he has no superpowers. He reminds me of forces and people a notch better than all of us and those willing to make that sacrifice.
Maybe it’s my problem and the problem we Christians and the faithful all around face. We are confronted with a world lower than what our moral yardstick demands it to be. In The Dark Knight, I am reassured of a better world, a world better than either free chaos or controlled paranoia. I reiterrate loudly than ever: the answer to the times of uncertainty that we all face as they do in the movie is simply a belief in the eternal and the submission to the absolutes ever present. For if we do not have the eternal, we descend into compromise and frailties of Harvey Dent. If we do not have absolutes, we find ourselves in Batman’s moral dilemma—the vigilante and the fundamentalist’s dilemma. If we do not have both, we become the Joker and live lives as a joke. We have to confront these three types of people around and in all of us. We have to succeed. I guess that’s why they just don’t get us. That’s why we have our own Gothams cut out for us.
We are not of this world, but perhaps for this world.
Absolved.